The sculpture in the stairwell is by the Japanese-born, Mallorca-based artist Hiroshi Kitamura. Close to the wall on the opposite side of the space are ceramic sculptures by Roig. Simple finishes ensure that artworks and craft pieces stand out beautifully
The sculpture in the stairwell is by the Japanese-born, Mallorca-based artist Hiroshi Kitamura. Close to the wall on the opposite side of the space are ceramic sculptures by Roig. Simple finishes ensure that artworks and craft pieces stand out beautifully
Image: Greg Cox

It’s likely that few people understand the light, the materials, and the built forms characteristic of Mallorca better than local architect Antoni Esteva. Having been born and practised here as an architect for more than five decades, Esteva has spent a lifetime exploring the local vernacular and reinterpreting it with modern requirements in mind.

During that time he has worked on multiple projects, including a renovation of the Palma home that once belonged to Spanish Surrealist artist Joan Miró and the regeneration of the remarkable farmstead of Es Racó, in the charming town of Artà.

Well known in Mallorca as a town that has dedicated itself to the conservation of the island’s history and natural resources, as well as for its traditional design and crafts, Artà has long aimed to benefit both human culture and the environment. This ethos was very much in sync with Esteva’s views on how the redevelopment of the Es Racó property should proceed, and was one of the reasons for searching out a property in the vicinity of the town.

“Ultimately,” says Esteva of the relation-ship between Es Racó and Artà, “one will always nourish the other.” Having been a traditional finca (farm-stead) between the 16th and 18th centuries, Es Racó has been powerfully influenced by agricultural activities and needs. Esteva explains that cattle, horses, sheep, and pigs were farmed on the estate, and that multiple crops were cultivated there. The property’s history as a working farm is the reason for the pared-back simplicity of its buildings, he says, adding that when he and a business partner bought the estate in 2011, most of the structures were “completely abandoned” and “in a ruinous state”.

The initial and most important reason for their purchase was to reclaim the fertile land on which the estate was set. Says Esteva, “Es Racó has an exceptional location with an orientation towards the mountains of Serra de Llevant, and the property’s good soil allows us to grow and develop a wide variety of natural resources here.” The idea of building a retreat on the property only came later, and the redevelopment of the buildings took place over a fairly substantial period of time, guided by Esteva in collaboration with his son and architectural-practice partner, Tomeu.

A guest toilet uses an old sink carved from local stone. The wooden armchair was found at an antiques market on the island, as were the old clay vessels on the shelves
A guest toilet uses an old sink carved from local stone. The wooden armchair was found at an antiques market on the island, as were the old clay vessels on the shelves
Image: Greg Cox
A pair of antique wooden chairs with woven seats provide seating in front of the old-fashioned hearth
A pair of antique wooden chairs with woven seats provide seating in front of the old-fashioned hearth
Image: Greg Cox

 

 

 

 

 

 

 

 

 

 

It took three years to get the extensive permits and licences needed for the renovation, and another two years were spent on the construction work.From the start, the central vision was to preserve the original Mallorquín vernacular architecture and the buildings’ ecological setting. It was also a matter of principle that only natural materials would be used in the reconstruction process and so, says Esteva, “We used our own materials, such as stone from the estate, lime mortars, reclaimed wood (which was all completely recycled), and the natural reed that is also found on the estate.”

Rigorous and conscientious, this approach has resulted in a set of buildings that beautifully epitomise sustainable luxury. Es Racó’s interior design was created using a similar modus operandi — resolutely simple, the interiors sensitively deploy a range of tactile décor elements and artworks that combine to create an atmosphere of complete tranquillity.

In the entrance hall of the main farmhouse, ceramic sculptures by Mallorquín artist Jaume Roig take the floor beneath a painting by Antoni Esteva
In the entrance hall of the main farmhouse, ceramic sculptures by Mallorquín artist Jaume Roig take the floor beneath a painting by Antoni Esteva
Image: Greg Cox

“When seeking balance,” Esteva says, “there is no need to add anything unnecessary — whether in terms of colours, textures, or anything else. The idea was to design spaces so that nothing draws attention.”

In this, Esteva, Tomeu, and the rest of the team have certainly succeeded. And yes, their exacting approach to the vernacular — respecting its age-old forms, simple lines, and honest materials — creates a feeling that is unobtrusive in its architectural style. Paradoxically, however, this is a quietness that speaks loudly about how a truly sustainable local aesthetic can be created, and the way its careful minimalism can create maximum aesthetic appeal. esracodarta.com, esteva.eu

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